https://noufling.com Nouf Alhimiary Fri, 10 Apr 2026 18:24:08 +0000 https://noufling.com en https://noufling.com/Desktop Thu, 18 Jul 2019 10:39:08 +0000 Nouf Alhimiary https://noufling.com/Desktop [let there be light] <img width="800" height="648" width_o="800" height_o="648" data-src="https://freight.cargo.site/t/original/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" data-mid="46872935" border="0" data-draggable alt="practice" data-caption="practice" src="https://freight.cargo.site/w/800/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" /> <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/841debcb77749146bf606e07c0e167dde2f23e606e58120aff437dc8519039e9/icon-email-icon-clip-art-at-clker-com-vector-qafaq-e-mail-icon-trace--0.png" data-mid="46896106" border="0" data-draggable alt="contact" data-caption="contact" src="https://freight.cargo.site/w/1000/i/841debcb77749146bf606e07c0e167dde2f23e606e58120aff437dc8519039e9/icon-email-icon-clip-art-at-clker-com-vector-qafaq-e-mail-icon-trace--0.png" /> <img width="256" height="256" width_o="256" height_o="256" data-src="https://freight.cargo.site/t/original/i/e321c980c7c8cc99d73fe77ce8504d49545ace1d49934b86fbbefcbcf52d6bc0/Internal-Grey.png" data-mid="46912360" border="0" data-draggable alt="about" data-caption="about" src="https://freight.cargo.site/w/256/i/e321c980c7c8cc99d73fe77ce8504d49545ace1d49934b86fbbefcbcf52d6bc0/Internal-Grey.png" /> &nbsp; &nbsp;&nbsp; https://noufling.com/Info Thu, 18 Jul 2019 10:39:09 +0000 Nouf Alhimiary https://noufling.com/Info Dr. Nouf Alhimiary is an artist whose work examines the body as an interface under digital conditions. Her practice unfolds through installation, performance, and writing as a form of practice-based research, exploring how digital systems shape the production, disappearance, and circulation of memory. Working with mapping technologies, algorithmic platforms, and surveillance infrastructures, she engages interaction, speculation, play, and collective encounters to destabilise and reconfigure these systems as sites of digital memory work. For a complete portfolio of work please contact: &nbsp;info@noufling.com EducationUniversity College LondonPhD in Culture, Communication &amp; Media2020-2025Yale Visiting Scholar at Women, Gender and Sexuality Department (WGSS) and Center for Collaborative Art and Media (CCAM)2021-2022 London School of Economics and Political ScienceMSc in Gender Studies2018-2019Effat UniversityBA in English2011-2015 Relevant Professional Experience 2025- 2026 Riyadh University of ArtsCurriculum Design Expert Consultant (BA and MA programs). Residencies 2026 Delfina Foundation, London, UK.2023 Villa Lena Residency, Tuscany, Italy.2023 Sigg Art Residency, Athens, Greece.2020 AlBalad Residency, Jeddah, Saudi Arabia.2019 Haramacy residency, Albany Theatre, London, UK.2016 Bates Museum of Art Visiting Artist, Anthropology Department, Maine, USA.2012 Off Screen Expedition, Crossway Foundation x Edge of Arabia, UK. Selected Commissions &amp; Solo Projects 2026 “Spatial Memory in Flux”, Interface based performance, Diriyah Biennale, Riyadh, Saudi Arabia. 2025“Rise Habibi,” site-specific installation, Shubbak Festival, London, UK. 2023“Parallel,” AR installation commissioned by Ministry of Culture, Saudi Arabia (multi-city exhibition). 2019“Algorithmic Intimacies,” commissioned immersive performance and installation (Hervisions), The Mosaic Rooms, London, UK. 2019“Surrounded by you: Divided from you,” commissioned project by “Becoming an Archive” at Women’s Art Library, Goldsmiths, University of London, London, UK. 2016“Desire to Not Exist,” mural commission, Fully Booked Book Fair, Alserkal Avenue, Dubai Art Week, UAE. 2015Cover for “The Internet,” commissioned work, OOMK, Issue Four.2013“Typographical Image Making,” commissioned workshop, Jeddah Art Week, Saudi Arabia. Selected Exhibitions &amp; Screenings 2026“Open House,” Delfina Foundation, London, UK. 2025“High Tide” (two-person exhibition), Royal College of Art, London, UK.“Ad Interim,” Hope 93, London, UK. 2023“Selections from the Diversity Collection Program,” Bates College Museum of Art, Lewiston, ME, USA. 2019“Arab-British Womxn Film Screening,” Habibi Collective, Catford Mews, London, UK.“Haramacy Festival,” The Albany Theatre, London, UK. 2017“Cities of Conviction,” Utah Museum of Contemporary Art, UT, USA.“Radical Love, Female Lust,” Women of the World Festival, Ireland.“Radical Love, Female Lust,” Crypt Gallery, London, UK. 2016“Phantom Punch,” Bates College Museum of Art, ME, USA. 2015“Invisible Lines,” Islamic Human Rights Commission Gallery, London, UK. 2014“Islamic Art Festival,” Sharjah Art Museum, Sharjah, UAE.“Fotofest Biennial,” Houston, TX, USA.“Rhizoma: Generation in Waiting,” Venice Biennale, Venice, Italy. 2013“Mostly Visible,” Jeddah Art Week, Saudi Arabia. 2012“Hajj: A Journey to the Heart of Islam,” British Museum, London, UK. Collections Villa Lena Foundation Collection. Women’s Art Library, Goldsmith’s University.Bates Museum of Art. Talks, Lectures and Public Programmes 2026“Working Through Fragments”, Panel with Tara Aludghaither and Rana Jarbou, at “TIMEKEEPERS: The Archive in a Flux”, Diriyah Biennale, Riyadh, Saudi Arabia. 2025 “Staging Digital Memory in Saudi Arabia: Archive Aesthetics and Embodied Storytelling With Digital Platforms“, at “Everything Is Possible and Nothing Is True,” FIAT/IFTA Conference, October 2025.“In Conversation with Nouf Alhimiary and Delaine Le Bas,” Royal College of Art, London, UK.“Interactive Conversation,” Goethe-Institut Library, London, UK. 2021 “The Dialectic of Presence: A Virtual Ethnography of Online”, at “Culture Made in Arabia,” New York University &amp; Sorbonne University, April 2021.“Seminar on Virtual Ethnographies,” Yale University, New Haven, CT, USA. 2020 “Participatory Discussions on Mental Health and Identity Politics,” SOAS University of London, London, UK.“Arab Women Artists Now,” RichMix, London, UK. 2019 Lecture at “Gender, Sexuality and Globalisation Conference,” London School of Economics and Political Science, London, UK.Artist Talk, Catford Mews, London, UK.Artist Talk, The Albany Theatre, London, UK. 2017 “MED Dialogues,” Rome, Italy. 2016Artist Talk, Bates College, Lewiston, ME, USA. Recognition 2026 VAC Honorarium to Delfina Foundation 2021 Yale-UCL Collaborative Visiting Scholar Grant 2020 MOC Cultural Scholarship Program2018 Misk Fellowship2018 SBMF Scholarship2017 Italian Ministry of Foreign Affairs x ISPI, MED Young Leader&nbsp;2014 Crossway Foundation Grant to Fotofest2012 Most Creative Youth by Edge of Arabia2010 Effat University Merit Scholarship Publications Peer Reviewed Journal Articles: Alhimiary, Nouf. “Staging the Spectral Kin.” Memory, Mind &amp; Media, special issue After Memory: Shifting Perceptions of Time and Temporality in the Digital Condition, forthcoming.Alhimiary, Nouf. “Reverse Haunting the Algorithm.” Review of Middle East Studies, special issue on Digital Humanities in Middle East Studies, forthcoming.Book Chapters:Alhimiary, Nouf. “Scrolling as Digital Choreography.” Intersecting Intimacies: Auto-Ethnographic Explorations of Researchers Who Swipe, Share, and Study Digital Intimacy, Bloomsbury Academic, forthcoming. Book chapter.Alhimiary, Nouf. “My Love Is Vast, but So Is My Difference.” Haramacy Anthology: A Collection of Essays, 2020. Exhibition Catalogues &amp; Institutional Publications Alhimiary, Nouf (artist). High Tides. Royal College of Art, 2025.Alhimiary, Nouf (artist). Cities of Conviction. Utah Museum of Contemporary Art, Salt Lake City. Curated by Jared Steffensen, 2017.&nbsp;Alhimiary, Nouf (artist). Phantom Punch: Contemporary Art from Saudi Arabia in Lewiston. Bates College Museum of Art, 2016.Alhimiary, Nouf (artist). Islamic Art Festival Catalogue. Sharjah Art Museum, 2014.Alhimiary, Nouf (artist). Rhizoma (Generation in Waiting). Curated by Sara Raza and Ashraf Fayadh. 55th Venice Biennale, Edge of Arabia, 2013. Other writing:Alhimiary, Nouf. “Performing Girl, Undisciplined.” Raw Journals, 2021.Alhimiary, Nouf. “Can We Stop Shaming Each Other for Being Fake Online and Accept That Social Media Is Performative?” Galdem Magazine, 2019. Scholarly Engagement on the Artist’s Work Elhili, Loren (curator), HERVISIONS. “The Salon of Disobedience: Algorithmic Intimacies.” Exhibition text, The Mosaic Rooms, 2019Rashid, Shahad. “Mapping the Arab Diaspora: Examining Placelessness and Memory in Arab Art”. The University of Western Ontario, 2017. Quinn, Lisa A. Contemporary Curatorial and Exhibition Practices at Twenty-First Century Academic Art Museums. Ohio University, 2019. Marazzi, Antonio. “An Encyclopedic Art Biennale in Venice.” Visual Anthropology, vol. 27, no. 3, 2014, pp. 276–301.Raza, Sara. “Rhizoma (Generation in Waiting) – The Edge of Arabia Project in Venice Biennale 2013.” Contemporary Practices Art Journal, vol. XIII, 2013.&nbsp; Press and Media 2025 [interview] Marie Claire Arabia, ‘Untold Women Stories with Nouf Alhimiary’.2024 [Interview] Juliette Magazine, ‘Studio visit diaries #1 (feat Villa Lena): Nouf Alhimiary in conversation with Federico Montagna‘. 2023 [Interview] Harpers Bazaar, ‘Womb Power: Meet The Arab Artists Exploring Motherhood And Femininity Through Their Oeuvre‘. 2022 [Interview] Grazia Magazine, ‘Artists from Saudi Arabia’. 2019 [news] Mosaic Rooms, ‘The Salon of Disobedience: Algorithmic Intimacies Hervisions with Nouf Alhimiary‘. 2017 [news] AQNB, ‘Spiritual parallels connecting Saudi Arabia + Utah in Cities of&nbsp;Conviction at UMOCA‘. 2017 [profile] Mid East Art, ‘Nouf Alhimiary: Interview’. 2016 [news] AramcoWorld, ‘Ambassadors of Art‘. 2016 [profile] Bates Museum of Art, ‘An Introduction to a Cultural Phantom Punch with Artist Nouf Alhimiary‘. 2016 [news] HuffPost Art and Culture, ‘Artist Turns A Daily Fashion Log Into Feminist Activism‘. 2015 [profile] The Floating Magazine, ‘Nouf Alhimiary’.2014 [news] Alarabiya, ‘Arabs in America: Saudi artists launch U.S. tour‘. https://noufling.com/what-she-wore Thu, 18 Jul 2019 10:39:09 +0000 Nouf Alhimiary https://noufling.com/what-she-wore What She Wore (2013)24xA3Archival print mounted on MDF Hung on plywood board What She Wore is a photographic typography composed of 24 images of women in Jeddah, each positioned within everyday public spaces including supermarkets, beaches, offices, and classrooms. Across all images, the women wear the same garment, he abaya, engendering a visual field of repetition and uniformity. The work responds to the rise of the hashtag #OOTD (Outfit of the Day), which circulated widely across digital platforms as a form of identity construction in the early 2010s. What She Wore reflects a context in which the “outfit of the day” remained largely unchanged. By translating these images into a typographic installation, the work shifts from documentation to structure, using repetition as both form and content. The images function collectively rather than individually, speaking to the conditions under which visibility was regulated and standardised. While rooted in a specific social and cultural moment in Jeddah, the work engages early with digital image culture by positioning absence, sameness, and constraint against the global circulation of stylised self-representation. It marks an initial exploration of how identity is shaped through both visibility and its restriction, an inquiry that continues throughout Alhimiary’s later practice. <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/a8b8854259d75756758cf8ba5de0cab6079f9191e5ba02e5782b886b46b4c89b/Rhizoma2013_003.JPG" data-mid="47047397" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/a8b8854259d75756758cf8ba5de0cab6079f9191e5ba02e5782b886b46b4c89b/Rhizoma2013_003.JPG" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/5aa978821afdb3a39cf39fd266d358d921dc26a280b13e5a72a05689ff2f6ef9/Rhizoma_Opening_049.JPG" data-mid="47047400" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/5aa978821afdb3a39cf39fd266d358d921dc26a280b13e5a72a05689ff2f6ef9/Rhizoma_Opening_049.JPG" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/9ee40d2982971de93a5635e6b135cda27a3ebabcd99a6e36f2515a8bf8e36216/Rhizoma_TheBuild_018.JPG" data-mid="47047401" border="0" src="https://freight.cargo.site/w/1000/i/9ee40d2982971de93a5635e6b135cda27a3ebabcd99a6e36f2515a8bf8e36216/Rhizoma_TheBuild_018.JPG" /> &nbsp; https://noufling.com/LOVE-MAMA Thu, 18 Jul 2019 10:39:09 +0000 Nouf Alhimiary https://noufling.com/LOVE-MAMA Love MAMA (2019)PerformanceSound 11:45 min "Love, MAMA" is a performance that emerged from Nouf Alhimiary's residency at the Albany Theatre in London. Alhimiary collaborated with artists artists Moza Almatrooshi and Jannat Hussain on engaging intimately with voice notes. The artists explore the dimensions of love in the digital age, reflecting on the immediacy of digital intimacy and the complexities of in-person connections through a ritual that delves into the question of how we, as individuals, respond to the vulnerability and distance embedded in voice messages, even as we grapple with barriers to expressing love in person. The performance began with a sound piece, where the artists mix and sample various sonic digital ephemera into a soundtrack, and later, through the practice of ritual-making, the artists respond to the sonic piece navigate the complexities of love in a digital era. The sonic piece is composed of a rich tapestry of sampled digital sound ephemera, captured from platforms like WhatsApp and iMessage. <img width="1090" height="1378" width_o="1090" height_o="1378" data-src="https://freight.cargo.site/t/original/i/1aabde8db20f55a89bead0aff40e397c7d318ebc66951959cc1cdf83681717d3/Screen-Shot-2019-07-18-at-5.24.43-PM.png" data-mid="46893238" border="0" data-scale="96" data-draggable src="https://freight.cargo.site/w/1000/i/1aabde8db20f55a89bead0aff40e397c7d318ebc66951959cc1cdf83681717d3/Screen-Shot-2019-07-18-at-5.24.43-PM.png" /> <img width="2822" height="1560" width_o="2822" height_o="1560" data-src="https://freight.cargo.site/t/original/i/6d42915aa7a50f5c7aef9259f3da0de3df8e729bfba9458b3e70ae2854ffa88d/Screen-Shot-2019-07-18-at-5.15.55-PM.png" data-mid="46892999" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/6d42915aa7a50f5c7aef9259f3da0de3df8e729bfba9458b3e70ae2854ffa88d/Screen-Shot-2019-07-18-at-5.15.55-PM.png" /> <img width="2508" height="1390" width_o="2508" height_o="1390" data-src="https://freight.cargo.site/t/original/i/8f4c96120ddb072aa35109e2d62aeff38512489ea7e219487e3cbeb24c8f216a/Screen-Shot-2019-07-18-at-5.18.17-PM.png" data-mid="46892998" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/8f4c96120ddb072aa35109e2d62aeff38512489ea7e219487e3cbeb24c8f216a/Screen-Shot-2019-07-18-at-5.18.17-PM.png" /> <img width="2862" height="1560" width_o="2862" height_o="1560" data-src="https://freight.cargo.site/t/original/i/7c0ecc9f25595f1f1db70681792d91b2a6f7f1ddd025edbd7cc52cee0561dec2/Screen-Shot-2019-07-18-at-5.14.33-PM.png" data-mid="46893001" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/7c0ecc9f25595f1f1db70681792d91b2a6f7f1ddd025edbd7cc52cee0561dec2/Screen-Shot-2019-07-18-at-5.14.33-PM.png" /> <img width="2826" height="1586" width_o="2826" height_o="1586" data-src="https://freight.cargo.site/t/original/i/806576257e10eaf97387dc647919d76ec841941bf7f5d04953f3eeab85246feb/Screen-Shot-2019-07-18-at-5.14.55-PM.png" data-mid="46893000" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/806576257e10eaf97387dc647919d76ec841941bf7f5d04953f3eeab85246feb/Screen-Shot-2019-07-18-at-5.14.55-PM.png" /> <img width="2838" height="1580" width_o="2838" height_o="1580" data-src="https://freight.cargo.site/t/original/i/dd3e90756a2ed232319fcd045180aa007a570b9cae6ed48a1bc5463f03dc4cbb/haramacy.JPG" data-mid="47241170" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/dd3e90756a2ed232319fcd045180aa007a570b9cae6ed48a1bc5463f03dc4cbb/haramacy.JPG" /> <img width="2386" height="1294" width_o="2386" height_o="1294" data-src="https://freight.cargo.site/t/original/i/740b873d88264e0b5924844e6d4907cd39363df1b4be1d719974345816d7350a/Screen-Shot-2019-07-18-at-5.20.54-PM.png" data-mid="46892993" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/740b873d88264e0b5924844e6d4907cd39363df1b4be1d719974345816d7350a/Screen-Shot-2019-07-18-at-5.20.54-PM.png" /> <img width="2824" height="1590" width_o="2824" height_o="1590" data-src="https://freight.cargo.site/t/original/i/c501b8b4edd1b1c94ab776cf3a605ee555b0a0bf3eef7cfb6c0709477eb276e7/Screen-Shot-2019-07-18-at-5.21.06-PM.png" data-mid="46892992" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/c501b8b4edd1b1c94ab776cf3a605ee555b0a0bf3eef7cfb6c0709477eb276e7/Screen-Shot-2019-07-18-at-5.21.06-PM.png" /> <img width="2826" height="1586" width_o="2826" height_o="1586" data-src="https://freight.cargo.site/t/original/i/806576257e10eaf97387dc647919d76ec841941bf7f5d04953f3eeab85246feb/Screen-Shot-2019-07-18-at-5.14.55-PM.png" data-mid="46893000" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/806576257e10eaf97387dc647919d76ec841941bf7f5d04953f3eeab85246feb/Screen-Shot-2019-07-18-at-5.14.55-PM.png" /> https://noufling.com/Portfolio Thu, 18 Jul 2019 16:29:31 +0000 Nouf Alhimiary https://noufling.com/Portfolio Interface, AR, VR and Experience: Mnemosys v0.3 (2026)︎︎︎ Map of Bodies and Intimacies (2025)︎︎︎ Resting Place (2023)︎︎︎ Algorithmic Intimacies (2019-2020)︎︎︎ Installation: Machine Poetry (2023)︎︎︎ Desire to not Exist (2015)︎︎︎ What She Wore (2013)︎︎︎ Performance, Video and Performance Text: Love MAMA (2019)︎︎︎ Divided from You, Surrounded with You (2019)︎︎︎ Performing (girl) undisciplined (2022)︎︎︎ https://noufling.com/mobai Wed, 02 Jul 2025 15:23:05 +0000 Nouf Alhimiary https://noufling.com/mobai Map of Bodies and Intimacies (2025)InterfaceEpson Enhanced Matte 189gsm prints Phone ScreensSound Commissioned by the Royal Academy of the Arts, the Map of Bodies and Intimacies is a digital map interface and multimedia installation that challenges the fundamentally extractive process of digital mapping. In this digital environment, the aim is to locate the feelings, intimacies and mourning rituals of the people of South Jeddah, who through their digital memory work commemorated their changing urban landscapes through digital documentation footage and HDRI environments. The pinned coordinates in this map enact a refusal of optimisation logic, instead they invite viewers to witness and sit with the grief, ritual and testimony of South Jeddah’s residents. The audience is invited to “touch and linger”, but not to capture. The map's inherent failure to provide a neat, complete narrative of south Jeddah’s changed landscape is its most imaginative quality. The digital map here is a repertoire that sits with embodied knowledge and lived experience. It holds gestures, sounds, and affects that enact "disorderly lingerings" on grief and memory. The map documents how people moved through and felt about the neighborhoods, archiving the "lingering actions" of bodies in motion. Exhibition publication can be found [here]Interface View: <img width="3144" height="1544" width_o="3144" height_o="1544" data-src="https://freight.cargo.site/t/original/i/0b84a9500493ceffa470928adf6d546d035e1c5416a7fbfaaea17280c6a7fbb1/Screenshot-2026-04-27-at-18.13.32.png" data-mid="247625206" border="0" src="https://freight.cargo.site/w/1000/i/0b84a9500493ceffa470928adf6d546d035e1c5416a7fbfaaea17280c6a7fbb1/Screenshot-2026-04-27-at-18.13.32.png" /> <img width="3420" height="1744" width_o="3420" height_o="1744" data-src="https://freight.cargo.site/t/original/i/9c000f235ac73087ee046d38469a12ab2590d6e49788c876a8b118bf6ee06f7d/Screenshot-2026-04-27-at-18.17.18.png" data-mid="247625221" border="0" src="https://freight.cargo.site/w/1000/i/9c000f235ac73087ee046d38469a12ab2590d6e49788c876a8b118bf6ee06f7d/Screenshot-2026-04-27-at-18.17.18.png" /> <img width="3420" height="1756" width_o="3420" height_o="1756" data-src="https://freight.cargo.site/t/original/i/6892f2be0feb4dd5d86c74dfdbbe1abe74a829567e2a9a70dcc1f086ec477d5d/Screenshot-2026-04-27-at-18.16.51.png" data-mid="247625231" border="0" src="https://freight.cargo.site/w/1000/i/6892f2be0feb4dd5d86c74dfdbbe1abe74a829567e2a9a70dcc1f086ec477d5d/Screenshot-2026-04-27-at-18.16.51.png" /> To view layered map exceprts click [here] Installation view: <img width="1179" height="762" width_o="1179" height_o="762" data-src="https://freight.cargo.site/t/original/i/dbca0947316b14825d340bc6fbbc39a4d9d6de0f807faa94d4276063c7c10368/IMG_6178.jpg" data-mid="247042635" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/dbca0947316b14825d340bc6fbbc39a4d9d6de0f807faa94d4276063c7c10368/IMG_6178.jpg" /><img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/945167a6ccce9e932b9a38f73f3f7084ceeac3770440c8db7c2ac15e3cba8004/WechatIMG141.jpg" data-mid="235317155" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/945167a6ccce9e932b9a38f73f3f7084ceeac3770440c8db7c2ac15e3cba8004/WechatIMG141.jpg" /> <img width="1178" height="1649" width_o="1178" height_o="1649" data-src="https://freight.cargo.site/t/original/i/c45bada401dc00e8d302da836b092037f7c430ba26a4578711ea1489fa18c87f/IMG_1975.jpg" data-mid="247621766" border="0" src="https://freight.cargo.site/w/1000/i/c45bada401dc00e8d302da836b092037f7c430ba26a4578711ea1489fa18c87f/IMG_1975.jpg" /> Interaction: <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/207f0fbc37cfb013200bd2608c9107f15a34a13517f0faafc5083f5d2afa25e4/d5fac084-792c-4312-a120-09496ae9dde5.JPG" data-mid="247621764" border="0" src="https://freight.cargo.site/w/1000/i/207f0fbc37cfb013200bd2608c9107f15a34a13517f0faafc5083f5d2afa25e4/d5fac084-792c-4312-a120-09496ae9dde5.JPG" /> <img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/2a93ae6aaa34b165be7f0ee97d6dddf4962b81350dba5cfef487028575dd6f84/0b6abf76-7401-47e5-bde4-1507e49ba996.JPG" data-mid="247621763" border="0" src="https://freight.cargo.site/w/1000/i/2a93ae6aaa34b165be7f0ee97d6dddf4962b81350dba5cfef487028575dd6f84/0b6abf76-7401-47e5-bde4-1507e49ba996.JPG" /> Activation: In conversation with Nouf Alhimiary and Delaine LaBas. <img width="1872" height="1248" width_o="1872" height_o="1248" data-src="https://freight.cargo.site/t/original/i/421ae301f1bfcd0416655d2f97160381a3c9474e7f317ec8453d7cd255cd47a2/574ce539-fd1e-4dbd-8da5-dbec54a7020b.JPG" data-mid="247042637" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/421ae301f1bfcd0416655d2f97160381a3c9474e7f317ec8453d7cd255cd47a2/574ce539-fd1e-4dbd-8da5-dbec54a7020b.JPG" /> <img width="1179" height="772" width_o="1179" height_o="772" data-src="https://freight.cargo.site/t/original/i/16d5855d8417475250234acc3fba5b27f110cbe1e95680f24c299df4010bb544/IMG_6179.jpg" data-mid="247042636" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/16d5855d8417475250234acc3fba5b27f110cbe1e95680f24c299df4010bb544/IMG_6179.jpg" /> https://noufling.com/Mnemosys03 Fri, 10 Apr 2026 16:31:31 +0000 Nouf Alhimiary https://noufling.com/Mnemosys03 Mnemosys v0.3 (2026)Interface Banquet chair x4QR code on tinfoil <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4712e366f3fd058eaae9158c31e45067aabaa298cbbff88c60b3dd726faba226/titlerender2.png" data-mid="247051447" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/4712e366f3fd058eaae9158c31e45067aabaa298cbbff88c60b3dd726faba226/titlerender2.png" /> Interface view Mnemosys v0.3 is an interface-based narrative, about an imagined future simulation that uses photogrammetry to reconstruct past places from digital and spatial archival data sources. The narrative follows the simulation’s attempt at reconstructing the artist’s grandmother’s demolished house in Tariq bin Zaid street, Al-Hindawiyah neighbourhood of Jeddah. Operating as a speculative recovery system, the work processes spatial fragments to stabilise them within a provisional three-dimensional environment. As the simulation unfolds, the structure repeatedly fails to fully reappear, leaving only partial objects and unstable architectural remnants. Developed by Alhimiary, at Delfina Foundation, during a period of research into digital memory practices, forensic architecture, and the circulation of witness images following urban redevelopment projects. The work borrows the visual language of forensic reconstruction and uses interface-based narration as a digital fabulation praxis. <img width="5663" height="3775" width_o="5663" height_o="3775" data-src="https://freight.cargo.site/t/original/i/cdcd730b5918350841ff9f6923e9d37c5681d3ca98e9aa4987dc8c1dcd35e265/Photo-credit--Anne-Tetzlaff_DSC2249.jpg" data-mid="247051459" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/cdcd730b5918350841ff9f6923e9d37c5681d3ca98e9aa4987dc8c1dcd35e265/Photo-credit--Anne-Tetzlaff_DSC2249.jpg" /> Installation view <img width="1724" height="512" width_o="1724" height_o="512" data-src="https://freight.cargo.site/t/original/i/57972d30316510070de91223f0ba6dfc05d23001d3b939ffed538bc49c941733/Screenshot-2026-04-10-at-19.35.08.png" data-mid="247051484" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/57972d30316510070de91223f0ba6dfc05d23001d3b939ffed538bc49c941733/Screenshot-2026-04-10-at-19.35.08.png" /> 3D renderred view <img width="3525" height="2350" width_o="3525" height_o="2350" data-src="https://freight.cargo.site/t/original/i/0e6da69692a6904601000dbc0cb198b8ee7eb30819e81025f68e5d5ff9324236/Enlight1261.JPG" data-mid="247051497" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/0e6da69692a6904601000dbc0cb198b8ee7eb30819e81025f68e5d5ff9324236/Enlight1261.JPG" /> Installation view <img width="5706" height="3804" width_o="5706" height_o="3804" data-src="https://freight.cargo.site/t/original/i/702135e2458afd6ad0dc3c6cf7543f1f8fbea3e7e74ff19af7beaa86c0efd1d8/Photo-credit--Anne-Tetzlaff_DSC2105.jpg" data-mid="247051504" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/702135e2458afd6ad0dc3c6cf7543f1f8fbea3e7e74ff19af7beaa86c0efd1d8/Photo-credit--Anne-Tetzlaff_DSC2105.jpg" /> <img width="3073" height="3841" width_o="3073" height_o="3841" data-src="https://freight.cargo.site/t/original/i/faac79a11c19e31181545c192eb9b00b2fa02538013d012261dfaf21b2e6179e/Photo-credit--Anne-Tetzlaff_DSC2162.jpg" data-mid="247051503" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/faac79a11c19e31181545c192eb9b00b2fa02538013d012261dfaf21b2e6179e/Photo-credit--Anne-Tetzlaff_DSC2162.jpg" /> Installation view https://noufling.com/CWWP Sat, 06 Apr 2024 12:49:23 +0000 Nouf Alhimiary https://noufling.com/CWWP CONFRONTATION WITH WILD PARTS 2022 Augmented Reality, Loop <img width="1179" height="1572" width_o="1179" height_o="1572" data-src="https://freight.cargo.site/t/original/i/9e8db6c73a1e101b7c77b1d7bbec585783c92cbb6e1a738059a251f62f9e1ec4/IMG_1755.jpg" data-mid="208409496" border="0" src="https://freight.cargo.site/w/1000/i/9e8db6c73a1e101b7c77b1d7bbec585783c92cbb6e1a738059a251f62f9e1ec4/IMG_1755.jpg" /> <img width="1179" height="1572" width_o="1179" height_o="1572" data-src="https://freight.cargo.site/t/original/i/4450507a7ab45de26ddf0b36b530a5aa250281bb4cf241f940b72fe825561767/IMG_1754.jpg" data-mid="208409498" border="0" src="https://freight.cargo.site/w/1000/i/4450507a7ab45de26ddf0b36b530a5aa250281bb4cf241f940b72fe825561767/IMG_1754.jpg" /> QR upon request. https://noufling.com/GirlUndisciplined Fri, 10 Apr 2026 18:24:08 +0000 Nouf Alhimiary https://noufling.com/GirlUndisciplined Performing (girl) undisciplined (2022)Experimental performance text Published in Rawdah Issue 01 This text forms part of an ongoing investigation into girlhood, discipline, and the production of behaviour within institutional and public spaces. Moving between theory, narration, and visual language, the work examines how the figure of the “undisciplined girl” is constructed through systems of surveillance, spatial control, and social expectation. Written as an experimental performance text, it operates between critical writing and artistic practice, using fragmentation and repetition to reflect the embodied experience of navigating these conditions. <img width="1054" height="1786" width_o="1054" height_o="1786" data-src="https://freight.cargo.site/t/original/i/e3f66fb6c09b8258b7c560b823b4211a447255fcca354353549dca83e39ce4ce/Screenshot-2026-04-10-at-15.45.44.png" data-mid="247054365" border="0" data-scale="40" data-draggable src="https://freight.cargo.site/w/1000/i/e3f66fb6c09b8258b7c560b823b4211a447255fcca354353549dca83e39ce4ce/Screenshot-2026-04-10-at-15.45.44.png" />.&nbsp; &nbsp; &nbsp;&nbsp;&nbsp;<img width="1056" height="1788" width_o="1056" height_o="1788" data-src="https://freight.cargo.site/t/original/i/295cd9ae77212ca8d508f57553d3a75f2a5440c1aebdd77396218a41cac3601f/Screenshot-2026-04-10-at-15.45.54.png" data-mid="247054364" border="0" data-scale="40" data-draggable src="https://freight.cargo.site/w/1000/i/295cd9ae77212ca8d508f57553d3a75f2a5440c1aebdd77396218a41cac3601f/Screenshot-2026-04-10-at-15.45.54.png" /> <img width="1056" height="1790" width_o="1056" height_o="1790" data-src="https://freight.cargo.site/t/original/i/bd9a12b8ffe1d6a394cbef2bbbcce1dafde98dcc543201f64b1d1c218f34ec86/Screenshot-2026-04-10-at-15.46.08.png" data-mid="247054363" border="0" data-scale="40" data-draggable src="https://freight.cargo.site/w/1000/i/bd9a12b8ffe1d6a394cbef2bbbcce1dafde98dcc543201f64b1d1c218f34ec86/Screenshot-2026-04-10-at-15.46.08.png" />.&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<img width="1056" height="1800" width_o="1056" height_o="1800" data-src="https://freight.cargo.site/t/original/i/0b2e62635fbaec4965e7188ce3d4ad140688b90c294589ba7e081c03755af98e/Screenshot-2026-04-10-at-15.46.15.png" data-mid="247054361" border="0" data-scale="40" data-draggable src="https://freight.cargo.site/w/1000/i/0b2e62635fbaec4965e7188ce3d4ad140688b90c294589ba7e081c03755af98e/Screenshot-2026-04-10-at-15.46.15.png" /> https://noufling.com/Resting-Place Sat, 06 Apr 2024 13:00:31 +0000 Nouf Alhimiary https://noufling.com/Resting-Place Resting Place (2023)Augmented reality Sound, 3:10 min <img width="2732" height="1528" width_o="2732" height_o="1528" data-src="https://freight.cargo.site/t/original/i/2062f8b85174b806427a302cbfd72734f6bf7f9d90f68f47c408a5f2adb81e1d/Screenshot-2026-04-10-at-17.39.12.png" data-mid="247042885" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/2062f8b85174b806427a302cbfd72734f6bf7f9d90f68f47c408a5f2adb81e1d/Screenshot-2026-04-10-at-17.39.12.png" /> "Resting Place" is an immersive augmented reality visual and sonic experience, delving into the intricate interplay of human experiences in the digital age. Commissioned to interact with the bucolic gardens of the Villa Lena Foundation, this work emerges as a bridge between the past and the present, the physical and the virtual. "Resting Place" serves as homage to the multitude of beds and bodies that have occupied the Villa Lena's beds. What was once a space for travellers navigating the landscapes of Tuscany has now transformed into a sanctuary for artists and cultural practitioners. Alhimiary creates a digital realm that extends beyond the confines of the physical. Here, a lunar dreamscape surrounded with 3d models of the Villa Lena’s beds suspended in space. It is a dreamscape that transcends the boundaries of time and place. The soundpiece is recorded and produced by the artist herself, and invites viewers to delve into their own inner landscapes, fostering a collective contemplation on the abject aspects of rest and sleep. AR experience excerpt